As dreamy as Larmer Tree Park will be within the daylight, Finish of the Street actually comes into its personal at night time, reworking right into a magically lit, atmospheric wonderland. Because the solar begins to set and the waning gibbous moon seems over the candy-coloured helter-skelter, there’s a perceptible shift in power. Seeing us into the darkish at present is FLOHIO, the Lagos-born, London-raised rapper whose uncompromising circulate is finally an act of affection. Sporting rhinestone-sewn denim and darkish sun shades, her set attracts closely on final 12 months’s debut album Out of Coronary heart, and older gems like “Candy Flaws”. “Let’s hold this transferring,” she says between songs, barely pausing for breath. “I need to take you to the top of the highway.”
Taking us to a different world fully is yeule (aka Nat Ćmiel), whose look on the Large Prime emphasises the cavernous drama of their shape-shifting songcraft. Finish of the Street is considered one of solely two reveals previewing their soon-to-drop third album softscars, however it feels fully seamless. The chemistry between yeule and their band – that includes Sasami Ashworth on lightning-shaped electrical guitar – is spectacular. Beginning with a brace of tracks from final 12 months’s Glitch Princess and the traditional “Pixel Affection” from their debut Serotonin II, yeule reveals a softer, extra susceptible aspect with tracks from softscars, together with latest single “ghosts”, a disembodied marvel that brings beforehand unexplored acoustic components into yeule’s distinctive glitch-pop realm. That is an artist it’s exhausting to show your gaze from. The way in which they transfer on stage – typically with all of the fluidity and beauty of a ballet dancer, at different instances stalking insect-like from one aspect to a different – is the glue that holds all of it collectively. Outstanding stuff.