Jackson’s Artist Pigments: Color Info and Historical past

The vary of Jackson’s Artist Pigments consists of 100 dry pigments, from fashionable synthetics to pure earths. Every pigment has a novel set of traits, comparable to tinting energy, opacity/transparency, and granulation. Each pigment requires a unique quantity of binder to carry it to the specified consistency.

Uncover detailed data on the chemical composition of Jackson’s Artist Pigments, and discover the wealthy historical past of every pigment as we share their fascinating origins with recommendation on their traits and bodily properties.

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Jackson’s Artist Pigment Teams:

Yellows

Reds

Violets

Blues

Greens

Red Earths

Yellow Earths

Brown Earths

Black

White

 

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Jackson’s Artist Pigments: Yellow

 

Hansa Yellow Gentle

 

Pigment: Hansa Yellow Gentle

Index No: PY3

Color Description: Vibrant greenish-yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic

Approx. Oil Absorption Charge 45 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.4 µm

Historical past / How It Seems to be: Found within the early twentieth century, PY3 is among the mostly discovered pigments in Lemon Yellow artist paints. It’s semi-transparent with comparatively excessive tinting energy, which implies that it creates very clear, vibrant ends in color mixing with out being overpowering. When blended with black, it makes some vivid, zesty greens.

 

Benzymidazole Yellow

 

Pigment: Benzymidazole Yellow

Index No: PY154

Color Description: Heat orange-yellow in masstone, cooler when diluted

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Reasonably Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 60 g linseed oil:100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.15 µm

Historical past / How It Seems to be: Benzimidazolone pigments have been first launched to artist paints within the Sixties, and PY154 is among the most generally used amongst them. It has a reasonably robust tinting energy and glorious lightfastness based on most checks.

 

Hansa Yellow Medium

 

Pigment: Hansa Yellow Medium

Index No: PY74

Color Description: Vibrant mid-yellow, cooler when diluted

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 30 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.3 µm

Historical past / How It Seems to be: Like PY3, Hansa Yellow Medium is an Azo pigment found within the early twentieth century. Hansa Yellow Medium is a really intense yellow pigment. When utilized in a thick layer it’s a deep yellow, however when diluted it may be described as nearer to lemon yellow. Best for yellow highlights and nice for mixing intense oranges or greens.

 

Hansa Yellow Deep

 

Pigment: Hansa Yellow Deep

Index No: PY65

Color Description: Orange-yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Reasonably Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 45 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.5 µm

Historical past / How It Seems to be: With its reasonably excessive tinting energy and glorious lightfastness, Hansa Yellow Deep is a superb mixing color and is a extra clear different to Cadmium Yellow Deep. Mix it with Indanthrene Blue (PB 60) to make deep greens which might be nice for panorama portray. This pigment is used for yellow markings on roads and highways.

 

Cadmium Yellow Pale

 

Pigment: Cadmium Yellow Pale

Index No: PY35

Color Description: Dense mid-yellow

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx 1 µm

Historical past / How It Seems to be: Cadmium pigments have been first created in 1817, however didn’t acquire recognition till the early twentieth century. Right this moment they’re cherished for his or her energy, purity and lightfast properties. Cadmium Yellow Pale is a sunny, mid-yellow and, like all Cadmium pigments, it is vitally dense with a excessive tinting energy, good protection, and glorious lightfastness and permanence.

 

Cadmium Yellow Deep

 

Pigment: Cadmium Yellow Deep

Index No: PY37

Color Description: Heat orange-yellow

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx 1.5 µm

Historical past / How It Seems to be: Cadmium pigments have been first created in 1817, however didn’t acquire recognition till the early twentieth century. These sensible pigments are cherished for his or her energy, purity and lightfast properties. Cadmium Yellow Deep leans extra in the direction of orange than commonplace Cadmium Yellow as a result of it incorporates a bigger proportion of Cadmium Selinide, however shares its density, opacity, and glorious lightfastness.

 

Cadmium Lemon

 

Pigment: Cadmium Lemon

Index No: PY35

Color Description: Vibrant lemon-yellow

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx 1 µm

Historical past / How It Seems to be: Cadmium pigments have been first created in 1817, however didn’t acquire recognition till the early twentieth century. Cadmium Lemon is a zingy, acidic shade of yellow and, like different Cadmium pigments, it is vitally dense with a excessive tinting energy, good protection, and glorious lightfastness and permanence.

 

Nickel Azo Yellow

 

Pigment: Nickel Azo Yellow

Index No: PY150

Color Description: Brown-yellow in masstone, golden-yellow when diluted

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 50 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.2 µm

Historical past / How It Seems to be: PY150 makes an amazing different to Gamboge, a historic pigment created from tree resin. It’s heat (like a clear Yellow Ochre) when used thickly, however is cooler when utilized in a skinny layer.

 

Nickel Titanate Yellow

 

Pigment: Nickel Titanate Yellow

Index No: PY53

Color Description: Mushy milky lemon-yellow

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use, however could also be dangerous if swallowed. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 1 µm

Historical past / How It Seems to be: Developed within the Sixties, Nickel Titanate (Nickel Antimony Titanium Rutile) is a buttery lemon yellow. Due to its low tinting energy, it makes extra refined mixtures than most different lemon yellows. It is among the solely yellow pigments that granulates in watercolour.

 

Cadmium Orange

 

Pigment: Cadmium Orange

Index No: PO20

Color Description: Dense mid-orange

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 25 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx 0.5 µm

Historical past / How It Seems to be: Cadmium pigments have been first created in 1817, however didn’t acquire recognition till the early twentieth Century. These sensible pigments are cherished for his or her energy, purity and lightfast properties. Cadmium Orange is made by modifying Cadmium Yellow (PY35) with Cadmium Selenide. Like different Cadmium pigments, PO20 is a really dense and dominant color that’s finest blended with different extremely tinting colors.

 

Everlasting Orange

 

Pigment: Everlasting Orange

Index No: PO62

Color Description: Vibrant orange

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 70 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 0.2 µm

Historical past / How It Seems to be: The Benzymidazolone pigments are a bunch of recent artificial natural pigments recognized for his or her vibrancy and glorious lightfastness. PO62 tends to lean a bit of extra in the direction of yellow than PO36, the opposite Benzymidazolone orange pigments. PO62 is reasonably tinting, so it doesn’t overwhelm mixtures.

 

Benzymidazole Orange

 

Pigment: Benzymidazole Orange

Index No: PO36

Color Description: Purple-orange

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 80 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 0.2 µm

Historical past / How It Seems to be: The Benzymidazolone pigments are a bunch of recent artificial natural pink, yellow, and orange pigments. They’re famend for his or her vibrancy and glorious lightfastness, making them superb for artist paints in addition to a spread of candidates as industrial colourants. PO36 has a powerful pink bias, so it could take the place of pink in a color palette. With a contact of Dioxazine Purple (PV23) it makes some fascinating deep maroons.

 

Titanium Orange

 

Pigment: Titanium Orange

Index No: PBr24

Color Description: Golden-orange

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.6 µm

Historical past / How It Seems to be: PBr24 is usually used to mimic the poisonous pigment Naples Yellow which is not in frequent use. It’s a heat, buttery color with glorious lightfastness that’s at house in a portrait palette.

Learn: Naples Yellow within the Palette of Édouard Manet

 

Pigment Color Index: Yellow Pigments

 

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Jackson’s Artist Pigments: Purple

 

Azo Purple

 

Pigment: Azo Purple

Index No: PR144

Color Description: Major pink

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 70 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.4 µm

Historical past / How It Seems to be: Azo Purple is a mid-toned shade of pink that doesn’t lean a lot in the direction of both blue or orange. Combine it with numerous yellow pigments to make a spread of vibrant oranges.

 

Everlasting Purple

 

Pigment: Everlasting Purple

Index No: PR170

Color Description: Purple with a barely blue undertone

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 70 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 0.2 µm

Historical past / How It Seems to be: PR170 is a Napthol Purple pigment used extensively within the automotive trade. For artists it makes a lightfast different to Crimson Lake pigments.

 

Cadmium Vermilion

 

Pigment: Cadmium Vermilion

Index No: PR108

Color Description: Vibrant orange-red

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 0.5 µm

Historical past / How It Seems to be: Cadmium pigments have been first created in 1817, however didn’t acquire recognition till the early twentieth Century. These sensible pigments are cherished for his or her energy, purity and lightfast properties. Cadmium Vermilion is a fantastically saturated pink that’s a lot brighter than real Vermilion, an earthy orangey-red pigment utilized by Rembrandt and different Previous Masters.

 

Cadmium Purple Rubine

 

Pigment: Cadmium Purple Rubine

Index No: PR108

Color Description: Dense mid-red

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 0.5 µm

Historical past / How It Seems to be: Cadmium pigments are cherished for his or her energy, purity and lightfast properties. With a ruby-like hue, Cadmium Purple Rubine is the center shade of the entire Cadmium Reds. This can be very opaque and has a excessive tinting energy, so it’s best blended with different strongly tinting colors.

 

English Purple Gentle

 

Pigment: English Purple Gentle

Index No: PR102

Color Description: Earthy pinkish pink

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Reasonably Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 2 µm

Historical past / How It Seems to be: Pure Purple Ochre pigments have been used since prehistory. They’re derived from earths that include excessive quantities of hematite, a blood-red mineral. English Purple Gentle is a pinkish earth, extrememly helpful in each portrait and panorama portray.

 

English Purple Deep

 

Pigment: English Purple Deep

Index No: PR102

Color Description: Deep earthy pink

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Reasonably Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 2 µm

Historical past / How It Seems to be: Pure Purple Ochre pigments have been used since prehistory. They’re derived from earths that include excessive quantities of hematite, a blood-red mineral. English Purple Deep is, because the title suggests, a darker number of earth than English Purple Gentle.

 

Cadmium Purple Deep

 

Pigment: Cadmium Purple Deep

Index No: PR108

Color Description: Deep maroon

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 0.5 µm

Historical past / How It Seems to be: Cadmium pigments have been first created in 1817, however didn’t acquire recognition till the early twentieth Century. These sensible pigments are cherished for his or her energy, purity and lightfast properties. Cadmium Purple Deep is dense and earthy, and is a helpful addition to a panorama palette.

 

Pyrrole Purple

 

Pigment: Pyrrole Purple

Index No: PR254

Color Description: Vibrant pink with a slight blue bias

Opacity: Semi-transparent

Lightfastness: Wonderful

Tinting Energy: Reasonably Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: N/A

Historical past / How It Seems to be: Pyrrole Purple is the well-known ‘Ferrari pink’. The phrase Pyrrole derives from the Greek pyrrhos, which means ‘fiery’, and the Pyrrole household of pigments are a contemporary group of pink and orange colors that dwell as much as their title. PR254 is probably the most mid-toned number of Pyrrole pink. It makes a superb different to Cadmium Purple, however is extra clear so it’s higher for glazing strategies.

 

Venetian Purple

 

Pigment: Venetian Purple

Index No: PR102

Color Description: Earthy orange-red

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 2 µm

Historical past / How It Seems to be: The color of pink earth pigments is created by the presence of hematite, an iron-oxide-containing mineral. The precise shade varies from location to location because of the actual focus of hematite and the presence of different minerals that’s particular to that space. Venetian Purple is a very orange shade of earthy pink. It evokes the pink earths utilized by the Previous Masters of the Italian Renaissance.

Learn Venetian Purple: the Purple Earth Pigment That Evokes the Italian Renaissance

 

Quinacridone Magenta

 

Pigment: Quinacridone Magenta

Index No: PR122

Color Description: Vibrant blue-red

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 50 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.09 µm

Historical past / How It Seems to be: The primary Quinacridone compound was found in 1896, however its suitability as a pigment wasn’t recognised till 1955. Like different Quinacridone pigments, Quinacridone Magenta is strongly tinting and extremely lightfast. It’s a very versatile mixing color, although it’s best blended with different robust colors that may match its highly effective tinting energy. Quinacridone pigments are notably hydrophobic, so we advocate utilizing a wetting agent when grinding this color right into a water-based binder.

 

Potter’s Pink

 

Pigment: Potter’s Pink

Index No: PR233

Color Description: Earthy pink

Opacity: Semi-transparent

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: N/A

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: N/A

Historical past / How It Seems to be: Developed by an unknown British potter within the 1790s, Potter’s Pink is a delicate, earthy pigment that, whereas suitable with a spread of binders, is finest utilized in watercolour the place it granulates fantastically. It is extremely weak in tinting energy, however brings texture to mixtures. Attempt mixing it with Cerulean Blue to make a spread of soppy greys.

Learn: The Historical past of Potter’s Pink (and Why It’s a Watercolourist’s Secret Weapon)

 

Pigment Color Index: Purple Pigments

 

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Jackson’s Artist Pigments: Violet

 

Quinacridone Violet

 

Pigment: Quinacridone Violet

Index No: PV19

Color Description: Reddish violet

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 50 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.06 µm

Historical past / How It Seems to be: The primary Quinacridone compound was found in 1896, however its suitability as a pigment wasn’t recognised till 1955. Quinacridone Violet is much less purple than Quinacridone Magenta (PR122), however nonetheless leans barely in the direction of blue. Like different Quinacridone pigments, it is vitally staining and has a excessive tinting energy. It makes very deep and vibrant violets when blended with Ultramarine Blue.

 

Manganese Violet Deep

 

Pigment: Manganese Violet Deep

Index No: PV16

Color Description: Reddish violet

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 50 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use, however could also be dangerous if swallowed. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 2 µm

Historical past / How It Seems to be: Manganese Violet was first produced for artist paints in 1868. It’s a barely boring pigment which makes it helpful for bringing down the chroma in mixtures, though its tinting energy is low. With Viridian (PG18) it makes a shadowy blue-grey.

 

Ultramarine Violet

 

Pigment: Ultramarine Violet

Index No: PV15

Color Description: Blue-violet

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 45g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use, however could also be dangerous if swallowed. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 1 µm

Historical past / How It Seems to be: Ultramarine Violet is made by heating Ultramarine Blue pigment with ammonium chloride, and the totally different shades of Ultramarine Violet are decided by how a lot sulphur this course of removes. PV15 has a low tinting energy and is a really sluggish drying pigment in oil paint. Attempt mixing it with a Lemon Yellow to make delicate greys.

 

Pigment Color Index: Violet Pigments

 

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Jackson’s Artist Pigments: Blue

 

Ultramarine (Purple Shade)

 

Pigment: Ultramarine (Purple Shade)

Index No: PB29

Color Description: Heat pink

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 28g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use, however could also be dangerous if swallowed. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 2.5 µm

Historical past / How It Seems to be: Ultramarine Blue is an artificial model of the historic mineral pigment lapis lazuli. It was found in 1826 by French chemist Jean-Baptiste Guimet by heating kaolinite, sodium carbonate and sulfur in a kiln to create a pigment that’s chemically an identical to lapis lazuli, however much more vivid in color. This pigment will not be appropriate for fresco strategies.

Learn Pigment Tales: Ultramarine Blue and French Ultramarine

 

Cobalt Blue Gentle

 

Pigment: Cobalt Blue Gentle

Index No: PB28

Color Description: Mushy greenish-blue

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 28g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 1.6 µm

Historical past / How It Seems to be: Cobalt Blue (cobalt aluminium oxide) was developed in 1802 by Louis Jacques Thénard, who described it as ‘a blue color as lovely as Ultramarine’ (referring to the historic Ultramarine Blue pigment, made with the mineral lapis lazuli, which was extremely prized on the time). In contrast to the clear transparency of recent Ultramarine Blue, Cobalt Blue has a barely ‘milky’ high quality and it has a reasonably low tinting energy.

 

Cobalt Blue Deep

 

Pigment: Cobalt Blue Deep

Index No: PB72

Color Description: Darkish greenish-blue

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 4 µm

Historical past / How It Seems to be: Cobalt Blue (cobalt aluminium oxide) was developed within the early 1800s by Louis Jacques Thénard, who described it as ‘a blue color as lovely as Ultramarine’ (referring to the historic Ultramarine Blue pigment, made with the mineral lapis lazuli, which was extremely prized on the time). PB72 is a deeper number of Cobalt Blue, and is extra just like Ultramarine Blue than the usual Cobalt Blue.

 

Cobalt Cerulean Blue

 

Pigment: Cobalt Cerulean Blue

Index No: PB36

Color Description: Vibrant greenish-blue

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 25g pigment: 100g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 1 µm

Historical past / How It Seems to be: Cerulean Blue was launched as an artist pigment within the 1860s. It was a favorite for the Impressionists, who used it to color their skies. PB36 is cheaper than PB35 (the opposite Cerulean Blue pigment) due to its decrease cobalt content material, and is mostly a bit of extra inexperienced in hue, stronger in color, and better in tinting energy. Attempt mixing it with Unbleached Titanium (PW 6:1) to make some lovely, mild green-greys.

 

Prussian Blue Everlasting

 

Pigment: Prussian Blue Everlasting

Index No: PB27

Color Description: Deep greenish blue

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Tempera, Encaustic.

Approx. Oil Absorption Charge 45g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.3 µm

Historical past / How It Seems to be: Prussian Blue is a deep and inky green-blue. Invented firstly of the 18th century, it was the primary fashionable artificial blue pigment– virtually a century earlier than the event of Cobalt Blue and artificial Ultramarine Blue. Prussian Blue will not be appropriate for acrylic binders as a consequence of its alkali-sensitivity.

Learn The Historical past of Prussian Blue (and Why You Received’t Discover It in Most Acrylic Ranges)

 

Phthalo Blue (Inexperienced Shade)

 

Pigment: Phthalo Blue (Inexperienced Shade)

Index No: PB15:3

Color Description: Deep greenish blue

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.1 µm

Historical past / How It Seems to be: Phthalocyanine pigments are a household of blue and inexperienced artificial natural pigments primarily based on variants of copper phthalocyanine, a deep blue compound produced by the response of phthalic anhydride, urea, copper and ammonia. When Phthalo Blue was found, it was considered probably the most vital advance in artist pigments because the discovery of artificial Ultramarine Blue in 1826. Phthalocyanine Blue is a clear, extremely staining, and reliably lightfast green-blue.

 

Ultramarine Blue (Inexperienced Shade)

 

Pigment: Ultramarine Blue (Inexperienced Shade)

Index No: PB29

Color Description: Greenish-blue

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 28g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use, however could also be dangerous if swallowed. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 2.5 µm

Historical past / How It Seems to be: Ultramarine Blue is an artificial model of the historic mineral pigment lapis lazuli. It was found in 1826 by French chemist Jean-Baptiste Guimet by heating kaolinite, sodium carbonate and sulfur in a kiln to create a pigment that’s chemically an identical to lapis lazuli, however much more vivid in color. Ultramarine Blue (Inexperienced Shade) is cooler in tone than the usual Ultramarine Blue. This pigment will not be appropriate for fresco strategies.

Learn Pigment Tales: Ultramarine Blue and French Ultramarine

 

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Jackson’s Artist Pigments: Inexperienced

 

Cobalt Turquoise

 

Pigment: Cobalt Turquoise

Index No: PB36

Color Description: Deep turquoise

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 25 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Quick

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 1 µm

Historical past / How It Seems to be: Cobalt Turquoise is a cool, sea inexperienced that hovers on the sting between blue and inexperienced. The pigment is a part of the Cerulean Blue household, cobalt-based pigments that loved recognition with the Impressionists.

 

Phthalo Inexperienced (Blue Shade)

 

Pigment: Phthalo Inexperienced (Blue Shade)

Index No: PG7

Color Description: Deep blue-green

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Natural

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.05 µm

Historical past / How It Seems to be: Phthalocyanine pigments are a household of blue and inexperienced artificial natural pigments primarily based on variants of copper phthalocyanine, a deep blue compound produced by the response of phthalic anhydride, urea, copper and ammonia. Phthalo Inexperienced pigment absorbs extra blue mild than Phthalocyanine Blue, and that is achieved by chlorinating the phthalocyanine pigment. It’s a velvety color with very deep, blue undertones.

 

Cobalt Inexperienced Gentle

 

Pigment: Cobalt Inexperienced Gentle

Index No: PG50

Color Description: Gentle inexperienced with a slight blue bias

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 18g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 1.3 µm

Historical past / How It Seems to be: A color that may solely be described as a real ‘spring’ inexperienced. Cobalt Inexperienced Gentle is low in tinting energy, so could also be simply overpowered by extra highly effective pigments, however it’s helpful in bringing down the chroma of pink pigments.

 

Chromium Inexperienced Oxide (Kiwi Shade)

 

Pigment: Chromium Inexperienced Oxide (Kiwi Shade)

Index No: PG17

Color Description: Dense yellow-green

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 18g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use, however could also be dangerous if swallowed. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets

Particle Dimension: Approx. 1 µm

Historical past / How It Seems to be: Chromium Oxide Inexperienced was first produced in 1798. It’s a dense, opaque, and slighty boring pigment, however it may be an fascinating color to make use of in underpainting for portraits, in addition to for depicting foliage in botanical work. When blended with a lot of Titanium White it makes a pale lemon color.

 

Inexperienced Earth

 

Pigment: Inexperienced Earth

Index No: PG23

Color Description: Pale earthy inexperienced

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 25g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 10 µm

Historical past / How It Seems to be: Pure inexperienced earths include silica clay and inexperienced minerals. Like the opposite earth pigments, they’ve been used since prehistoric instances. Most Terre Verte and inexperienced earth pigments are very delicate with a low tinting energy that makes them unassertive in mixtures, however they’re characterful pigments in their very own proper and can be utilized to neutralise pink and orange pigments, or in underpaintings for portraits (a method generally known as verdaccio, which might help create life-like flesh tones).

 

Verona Inexperienced Earth

 

Pigment: Verona Inexperienced Earth

Index No: PG23

Color Description: Muted yellow-green

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 25g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 10 µm

Historical past / How It Seems to be: Pure inexperienced earths include silica clay and inexperienced minerals. Like the opposite earth pigments, they’ve been used since prehistoric instances. Most Terre Verte and inexperienced earth pigments are very delicate with a low tinting energy that makes them unassertive in mixtures, however they’re characterful pigments in their very own proper and can be utilized to neutralise pink and orange pigments, or in underpaintings for portraits (a method generally known as verdaccio, which might help create life-like flesh tones).

 

Vintage Inexperienced Earth

 

Pigment: Vintage Inexperienced Earth

Index No: PG23

Color Description: Muted brown-green

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 25g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 10 µm

Historical past / How It Seems to be: Pure inexperienced earths include silica clay and inexperienced minerals. Like the opposite earth pigments, they’ve been used since prehistoric instances. Most Terre Verte and inexperienced earth pigments are very delicate with a low tinting energy that makes them unassertive in mixtures, however they’re characterful pigments in their very own proper and can be utilized to neutralise pink and orange pigments, or in underpaintings for portraits (a method generally known as verdaccio, which might help create life-like flesh tones).

 

Pigment Color Index: Inexperienced Pigments

 

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Jackson’s Artist Pigments: Purple Earth

 

Verona Purple Earth

 

Pigment: Verona Purple Earth

Index No: PR102

Color Description: Earthy orange-red

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: The color of pink earth pigments is created by the presence of hematite– an iron-oxide-based mineral. The precise shade varies from location to location because of the focus of hematite and the presence of different minerals that’s particular to that space. Verona Purple Earth is an earthy orange-red.

 

Purple Ochre

 

Pigment: Purple Ochre

Index No: PR102

Color Description: Earthy pink

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: The color of pink earth pigments is created by the presence of hematite– an iron-oxide-based mineral. The precise shade varies from location to location because of the focus of hematite and the presence of different minerals that’s particular to that space. Purple Ochre is a muted orange-red.

 

Clear Oxide Purple

 

Pigment: Clear Oxide Purple

Index No: PR101

Color Description: Fiery orange-red

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.5 µm

Historical past / How It Seems to be: Artificial iron oxide pigments, also called Mars pigments, have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century. Pigments labelled PR101 are chemically an identical to pure pink earth pigments (with the pigment index quantity PR102), however are extra vibrant in color as a result of they don’t include naturally occurring impurities.

 

Cadmium Purple Brownish

 

Pigment: Cadmium Purple Brownish

Index No: PR108

Color Description: Dense brown-red

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Thought of hazardous if inhaled or ingested. Put on a mud masks and protecting gloves. Don’t use whereas consuming or ingesting. Keep away from contact with eyes, and maintain out of attain of youngsters and pets. Don’t spray-apply.

Particle Dimension: Approx. 0.5 µm

Historical past / How It Seems to be: Cadmium pigments have been first created in 1817, however didn’t acquire recognition till the early twentieth Century. These sensible pigments are cherished for his or her energy, purity and lightfast properties. A very earthy shade of Cadmium Purple, Cadmium Purple Brownish is dense and darkish. It appears and behaves like an earth pigment.

 

Mars Purple Deep

 

Pigment: Mars Purple Deep

Index No: PR101

Color Description: Deep pink

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 1 µm

Historical past / How It Seems to be: Artificial iron oxide pigments, also called Mars pigments, have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century. Pigments labelled PR101 are chemically an identical to pure pink earth pigments (with the pigment index quantity PR102), however are extra vibrant in color as a result of they don’t include naturally occurring impurities.

 

Mars Purple Gentle

 

Pigment: Mars Purple Gentle

Index No: PR101

Color Description: Deep pink

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 1 µm

Historical past / How It Seems to be: Artificial iron oxide pigments, also called Mars pigments, have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century. Pigments labelled PR101 are chemically an identical to pure pink earth pigments (with the pigment index quantity PR102), however are extra vibrant in color as a result of they don’t include naturally occurring impurities.

 

Caput Mortuum

 

Pigment: Caput Mortuum

Index No: PR102

Color Description: Violet-brown

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Appropriate for all media. Granulates fantastically as watercolour.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: Caput Mortuum is an enigmatic reddish-brown with a bit of trace of violet. Its title comes from an alchemical latin time period which means ‘nugatory stays’. The color of pure pink earth pigments is created by the presence of hematite– an iron-oxide-based mineral. The precise shade varies from location to location because of the focus of hematite and the presence of different minerals that’s particular to that space.

 

French Burnt Sienna

 

Pigment: French Burnt Sienna

Index No: PR102

Color Description: Purple-orange

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: Most Burnt Siennas are made by heating (calcinating) Uncooked Sienna, however this model is an earth pigment that already incorporates pink iron oxides, giving it the attribute orange-red shade we anticipate from Burnt Siennas.

 

Hematite Purple

 

Pigment: Hematite Purple

Index No: PR102

Color Description: Earthy blood-red

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: The color of pink earth pigments is created by the presence of hematite– an iron-oxide-based mineral. The precise shade varies from location to location because of the focus of hematite and the presence of different minerals that’s particular to that space.

 

Pompeii Purple

 

Pigment: Pompeii Purple

Index No: PR102

Color Description: Earthy orange-red

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: Pompeii Purple is the colourful pink discovered within the Roman murals uncovered on the destroyed metropolis of Pompeii. The color of pink earth pigments is created by the presence of hematite– an iron-oxide-based mineral. The precise shade varies from location to location because of the focus of hematite and the presence of different minerals that’s particular to that space.

 

Saturn Purple

 

Pigment: Saturn Purple

Index No: PR102

Color Description: Earthy orange-red

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: Saturn Purple makes a superb different to Cadmium Orange. The color of pink earth pigments is created by the presence of hematite– an iron-oxide-based mineral. The precise shade varies from location to location because of the focus of hematite and the presence of different minerals that’s particular to that space.

 

Mars Brown

 

Pigment: Mars Brown

Index No: PR101 PBk11

Color Description: Sturdy red-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: N/A

Historical past / How It Seems to be: One of many solely blends of pigments within the Jackson’s Artist Pigment vary. Mars Brown is a mix of two artificial iron oxide, or ‘Mars’ pigments. Mars pigments have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century.

 

Terra Ercolana

 

Pigment: Terra Ercolana

Index No: PR102

Color Description: Brick pink

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: This earth color is exclusive to the realm of Ercolano, Italy. Its hue is finely balanced between orange and pink, and it might make a helpful addition to each panorama and portrait portray palettes.

 

Clear Oxide Brown

 

Pigment: Clear Oxide Brown

Index No: PR101

Color Description: Orange-brown

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 1 µm

Historical past / How It Seems to be: Artificial iron oxide pigments, also called Mars pigments, have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century. Pigments labelled PR101 are chemically an identical to pure pink earth pigments (with the pigment index quantity PR102), however are extra vibrant in color as a result of they don’t include naturally occurring impurities. Clear Oxide Brown could be very comparable in shade to Burnt Sienna, however is non-granulating in watercolour.

 

Terra Pozzuoli

 

Pigment: Terra Pozzuoli

Index No: PR102

Color Description: Earthy orange-red

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 2 µm

Historical past / How It Seems to be: This earth color is exclusive to the realm of Pozzuoli, Italy. It’s a very orange-toned pink earth, with a low chroma which may appear ‘boring’, however which may be helpful for bringing down the saturation of vivid inexperienced pigments. This high quality makes it helpful for a panorama portray palette.

 

Learn Pigment Color Index: Purple Pigments

 

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Jackson’s Artist Pigments: Yellow Earth

 

Yellow Ochre

 

Pigment: Yellow Ochre

Index No: PY43

Color Description: Earthy yellow

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: It is a real Yellow Ochre, made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette. Yellow Ochre is especially helpful in a panorama palette, because it creates a spectrum of pure greens when blended with any blue.

 

Yellow Ochre Deep

 

Pigment: Yellow Ochre Deep

Index No: PY43

Color Description: Deep earthy yellow

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: It is a real Yellow Ochre, made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette. It is a deeper number of a traditional Yellow Ochre which displays a brown-orange hue. Its wealthy heat implies that it’s at house in a portrait portray palette.

 

Venetian Yellow Earth

 

Pigment: Venetian Yellow Earth

Index No: PY43

Color Description: Golden yellow

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: Barely extra golden tones than commonplace Yellow Ochre. It is a real Yellow Ochre, made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette. Yellow Ochre is especially helpful in a panorama palette, because it creates a spectrum of pure greens when blended with any blue.

 

Verona Yellow Earth

 

Pigment: Verona Yellow Earth

Index No: PY43

Color Description: Muted greenish-yellow

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: An fascinating shade of yellow ochre with a slight greenish hue. Best for panorama portray – notably suited to depicting sand, mild earth, or autumn leaves. Tends in the direction of yellow when diluted, turning into darker and turning into a light-weight golden brown when used thicker/much less diluted. It is a real Yellow Ochre, made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette. Yellow Ochre is especially helpful in a panorama palette, because it creates a spectrum of pure greens when blended with any blue.

 

Gold Ochre

 

Pigment: Gold Ochre

Index No: PY43

Color Description: Golden yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: A particuarly autumnal shade of Yellow Ochre. It is a real Yellow Ochre made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette.

 

Mars Yellow Deep

 

Pigment: Mars Yellow Deep

Index No: PY42

Color Description: Brownish-yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 40g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 5 µm

Historical past / How It Seems to be: Dense and barely redder than Mars Yellow Gentle. Mars pigments have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century. Chemically, they’re an identical to pure earth pigments, however include no impurities and have extra evenly-sized pigment particles.

 

Mars Yellow Gentle

 

Pigment: Mars Yellow Gentle

Index No: PY42

Color Description: Sturdy earthy yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 40g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 5 µm

Historical past / How It Seems to be: Mars pigments have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century. Chemically, they’re an identical to pure earth pigments, however include no impurities and have extra evenly-sized pigment particles.

 

Orange Ochre

 

Pigment: Orange Ochre

Index No: PY43

Color Description: Brownish-orange

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: It is a real Yellow Ochre made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette. Yellow Ochre is especially helpful in a panorama palette, because it creates a spectrum of pure greens when blended with any blue.

 

Clear Oxide Yellow

 

Pigment: Clear Oxide Yellow

Index No: PY42

Color Description: Vibrant golden yellow

Opacity: Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: 40g linseed oil: 100g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 5 µm

Historical past / How It Seems to be: Artificial iron oxide pigments, also called Mars pigments, have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century. They’re chemically an identical to pure pink earth pigments, however are extra vibrant in color as a result of they don’t include naturally occurring impurities.

 

Uncooked Cyprus Ochre

 

Pigment: Uncooked Cyprus Ochre

Index No: PY43

Color Description: Muted golden yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: It is a real Yellow Ochre made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette.

 

Clear Gold Ochre

 

Pigment: Clear Gold Ochre

Index No: PY43

Color Description: Vibrant golden yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: It is a real Yellow Ochre made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette.

 

Mars Orange

 

Pigment: Mars Orange

Index No: PY42 PR101

Color Description: Dense earthy orange

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: N/A

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: N/A

Historical past / How It Seems to be: One of many solely blends of pigments within the Jackson’s Artist Pigment vary. Mars Orange is a mix of two artificial iron oxide, or ‘Mars’ pigments. Mars pigments have been first created within the 18th Century, however they started to realize recognition as alternate options to pure earth pigments within the early twentieth Century.

 

Ochre Havana

 

Pigment: Ochre Havana

Index No: PY43

Color Description: Golden brown-yellow

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: N/A

Granulates in Watercolour: Sure

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Approx. 5 µm

Historical past / How It Seems to be: It is a real Yellow Ochre made utilizing pure earths as an alternative of artificial hydrated iron oxides. Pure yellow earths have been used since prehistory and are nonetheless important within the fashionable artist’s palette.

 

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Jackson’s Artist Pigments: Brown Earth

 

Pure Sienna Monte Amiata

 

Pigment: Pure Sienna Monte Amiata

Index No: PBr7

Color Description: Yellow-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 35g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Uncooked Sienna is known as after town of Siena, Italy. It’s a yellow-brown earth pigment sourced from the Italian province of Tuscany, which incorporates the area of Monte Amiata. Uncooked Sienna is a splendidly earthy pigment, comparable in shade to Yellow Ochre however extra clear.

 

Brown Ochre

 

Pigment: Brown Ochre

Index No: PBr7

Color Description: Earthy brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: 35g linseed oil: 100g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Brown Ochre incorporates naturally occurring brown iron oxides. Numerous ochres have been utilized by Rembrandt within the seventeenth century, and contribute to the attribute heat of his palette.

 

Burnt Sienna Monte Amiata

 

Pigment: Burnt Sienna Monte Amiata

Index No: PBr7

Color Description: Orange-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 38 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Sienna is known as after town of Siena, Italy. It’s a yellow-brown earth pigment sourced from the Italian province of Tuscany, which incorporates the area of Monte Amiata. This ‘burnt’ variation is produced by heating the uncooked Sienna pigment. This course of, known as calcination, partially converts the brown iron oxides into hematite, a pink iron oxide.

 

Cyprus Burnt Umber

 

Pigment: Cyprus Burnt Umber

Index No: PBr7

Color Description: Reddish-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55g pigment: 100g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: This ‘burnt’ variation is produced by heating the uncooked Sienna pigment. This course of, known as calcination, partially converts the brown iron oxides into hematite, a pink iron oxide.

 

Cyprus Burnt Umber Brownish

 

Pigment: Cyprus Burnt Umber Brownish

Index No: PBr7

Color Description: Reddish-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: This ‘burnt’ variation is produced by heating the uncooked Sienna pigment. This course of, known as calcination, partially converts the brown iron oxides into hematite, a pink iron oxide.

 

Cyprus Burnt Umber Gentle

 

Pigment: Cyprus Burnt Umber Gentle

Index No: PBr7

Color Description: Gentle reddish-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Umber pigments are historically from the Italian area of Umbria. This ‘burnt’ variation is produced by heating the Uncooked Umber pigment. This course of, known as calcination, partially converts the brown iron oxides into hematite, a pink iron oxide. It is a lighter model of Burnt Umber, and it doesn’t have depth of deep-bellied Burnt Umbers.

 

Uncooked Umber Reddish

 

Pigment: Uncooked Umber Reddish

Index No: PBr7

Color Description: Reddish-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: A very pink model of Uncooked Umber, however not as pink as Burnt Umber. Brown earth pigments comparable to this have been used since prehistory, and their shade varies relying on the proportion of minerals current within the earth.

 

Cyprus Burnt Umber Deep

 

Pigment: Cyprus Burnt Umber Deep

Index No: PBr7

Color Description: Darkish reddish-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Whereas Umber pigments are historically from the Italian area of Umbria, this one is sourced from Cyprus. This ‘burnt’ variation is produced by heating the uncooked pigment– a course of, known as calcination, which partially dehydrates the brown iron oxides and transforms them into pink iron oxides. Blended with white it makes some mild pinks.

 

Cyprus Uncooked Umber Brownish

 

Pigment: Cyprus Uncooked Umber Brownish

Index No: PBr7

Color Description: Reddish-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Extra pink in undertone than many Uncooked Umbers, this pigment may be an fascinating color for underpainting in preparation for a green-dominant panorama portray. Whereas Umber pigments are historically from the Italian area of Umbria, this one is sourced from Cyprus.

 

Cyprus Uncooked Umber

 

Pigment: Cyprus Uncooked Umber

Index No: PBr7

Color Description: Earthy brown with inexperienced undertones.

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Brown earth pigments like this have been used since prehistory. The precise composition of naturally occurring minerals decide the shade and dealing with properities of the pigment. Whereas Umber pigments are historically from the Italian area of Umbria, this one is sourced from Cyprus. It has a particular inexperienced undertone which can be helpful as an underpainting color in portraiture.

 

Cyprus Uncooked Umber Gentle

 

Pigment: Cyprus Uncooked Umber Gentle

Index No: PBr7

Color Description: Earthy brown with yellow-green undertones

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Brown earth pigments like this have been used since prehistory. The precise composition of naturally occurring minerals decide the shade and dealing with properities of the pigment. Whereas Umber pigments are historically from the Italian area of Umbria, this one is sourced from Cyprus. As its title recommend it’s doesn’t have the depth of different shades of Umber, however this attribute may be helpful for sure color palettes that require a lighter earth-brown.

 

Cyprus Uncooked Umber Deep

 

Pigment: Cyprus Uncooked Umber Deep

Index No: PBr7

Color Description: Darkish brown with a slight pink undertone.

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Whereas conventional Umber pigments are from the Italian area of Umbria, this Umber pigment is sourced from Cyprus. When utilized in a thick layer it’s virtually black, however in dilution it has a slight reddish undertone.

 

French Uncooked Sienna

 

Pigment: French Uncooked Sienna

Index No: PBr7

Color Description: Yellow-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 35 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Uncooked Sienna is an earth pigment initially sourced from the Italian province of Tuscany, however may be present in different areas. The yellow-brown hue of Uncooked Sienna evokes the standard of sunshine in early Renaissance artwork, and its quick drying time makes it a helpful color for underpainting in oil portray.

 

Italian Burnt Sienna

 

Pigment: Italian Burnt Sienna

Index No: PBr7

Color Description: Reddish brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 38 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Sienna is known as after town of Siena, Italy. It’s a yellow-brown earth pigment initially sourced from the Italian province of Tuscany, however may be present in different areas. This ‘burnt’ variation is produced by heating the uncooked pigment. This course of, known as calcination, partially converts the brown iron oxides into hematite, a pink iron oxide. Burnt Sienna finds a traditional mixing accomplice in Ultramarine Blue, with which it makes some enigmatic greys.

 

Italian Uncooked Sienna

 

Pigment: Italian Uncooked Sienna

Index No: PBr7

Color Description: Yellow-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 35 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Uncooked Sienna is known as after town of Siena, Italy. It’s a yellow-brown earth pigment initially sourced from the Italian province of Tuscany, however may be present in different areas. It is a useful color in an artist palette as a result of it’s such a helpful mixing color. A contact of blue makes a spread of pure greens, whereas when blended with pink it makes some earthy oranges.

 

Uncooked Umber Greenish

 

Pigment: Uncooked Umber Greenish

Index No: PBr7

Color Description: Greenish-brown

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: 55 g pigment: 100 g linseed oil

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Variable. Between 1- 5 µm

Historical past / How It Seems to be: Umber pigments have been historically extracted from the Italian area of Umbria, however are actually sourced from a spread of places. The earth pigment incorporates manganese, which speeds the drying of the paint. For that reason, many oil painters in historical past have used Uncooked Umber of their underpaintings. The notably inexperienced undertones of this Uncooked Umber lends itself to panorama portray.

 

Van Dyck Brown Pure

 

Pigment: Van Dyck Brown Pure

Index No: NBr8

Color Description: Deep brown with a slight pink undertone

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 60 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: N/A

Historical past / How It Seems to be: Derived from soil and peat containing pure clays and iron oxides, Van Dyck Brown was utilized by lots of the Previous Masters- most notably Anthony van Dyck, Reubens, and Rembrandt. Most Van Dyck Brown paints are made utilizing a mix of earth pigments as a result of lignite, a part of the historic pigment, tends to oxidise and fade in color. This pigment, alternatively, has been formulated to offer glorious lightfastness.

 

Pigment Color Index: Brown Pigments

 

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Jackson’s Artist Pigments: Black

 

Slate

 

Pigment: Slate

Index No: PBk19

Color Description: Heat Gray

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 25 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 50 µm

Historical past / How It Seems to be: Slate refers to varied sorts of metamorphic rock that are used to make roof tiles. Slate incorporates iron oxides, graphite, clays, mica, and quartz, which contribute to its specific shade of gray. This uncommon pigment is of course granular and desires vigorous grinding to make a workable paint.

 

Graphite Silver

 

Pigment: Graphite Silver

Index No: PBk10

Color Description: Silvery gray

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 70 µm

Historical past / How It Seems to be: Graphite is a crystalline type of pure carbon, shaped naturally within the earth’s mantle when carbonacious materials is subjected to stress. It has the identical chemical composition as diamond, however has a novel molecular construction. It has been utilized in creative functions since no less than the fourth millennium BC. The most typical software of graphite in artist supplies right now is in pencils and, like graphite pencils, this pigment has a metallic sheen.

 

Carbon Black Deep

 

Pigment: Carbon Black Deep

Index No: PBk7

Color Description: Dense, wealthy black

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge: 160 g pigment: 100 g linseed oil

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.05 µm

Historical past / How It Seems to be: Right this moment, PBk7 is made right now by burning coal or pure gasoline, however is historically derived from carbonising plant matter, like within the manufacturing of charcoal. Paints made with PBk7 are often very opaque and have a excessive tinting energy because of the small, dense pigment particles.

 

Ivory Black

 

Pigment: Ivory Black

Index No: PBk9

Color Description: Heat black

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Common

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 60 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 50 µm

Historical past / How It Seems to be: This pigment’s uniqueness lies in its heat – it has a brown undertone which may be seen in glazes, and in tints with white. Because the title suggests, Ivory Black was initially made by carbonising ivory. Whereas that is not the case, PBk9 is produced from animal bones, which is one thing to remember when you want to keep away from animal merchandise.

 

Lamp Black Intense

 

Pigment: Lamp Black Intense

Index No: PBk6

Color Description: Deep Black with a barely cool undertone

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 160 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.05 µm

“Historical past / How It Seems to be: Lamp Black was once made utilizing the sooty residue collected from oil lamps, however right now it’s created from the burning of gasoline or oil. It’s an intense black with a excessive tinting energy. PBk6 has a cool undertone, giving a bluish-grey when blended with white.
”

 

Mars Black

 

Pigment: Mars Black

Index No: PBk11

Color Description: Heat black

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 30 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 0.2 µm

Historical past / How It Seems to be: The Mars household of pigments, which additionally consists of Mars Yellow and Mars Violet, are artificial iron oxides and have been developed within the twentieth century as alternate options to pure earth pigments. Mars Black, together with Carbon Black, is among the most opaque of the black pigments, so it’s superb when you want good protection. It’s heat in undertone, and in mixtures it has a excessive tinting energy and may simply overwhelm different colors.

 

Graphite Black

 

Pigment: Graphite Black

Index No: PBk10

Color Description: Metallic black

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge N/A

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 70 µm

Historical past / How It Seems to be: Utilizing PBk10 is like portray with graphite. It’s extremely lightfast and has a metallic sheen.

 

Pure Black Iron Oxide

 

Pigment: Pure Black Iron Oxide

Index No: PBk11

Color Description: Deep, impartial black

Opacity: Semi-Opaque

Lightfastness: Wonderful

Tinting Energy: Reasonably excessive

Pigment Classification: Pure Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15 g linseed oil: 100 g pigment

Granulates in Watercolour: Sure

Drying Charge (in oil): Quick

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 50 µm

Historical past / How It Seems to be: Pure iron oxide black is derived from magnetite, an iron ore. This can be very dense and opaque, and produces some lovely textural results when used to make watercolour paint. Its reasonable tinting energy make it a superb mixing-black. Mars Black is the artificial model of pure black iron oxide.

Learn Pigment Tales: Black Pigments, and Getting the Most Out of Utilizing Black in Your Palette

 

Pigment Color Index: Black Pigments

 

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Jackson’s Artist Pigments: White

 

Titanium White Rutile

 

Pigment: Titanium White Rutile

Index No: PW6

Color Description: Vibrant white

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 15-20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.50 µm

Historical past / How It Seems to be: Whereas Titanium White Anatase was synthesised firstly of the twentieth century, Titanium White Rutile was launched in 1937 and presents larger opacity and weathering resistence than its earlier counterpart. Titanium White dominates the white pigment market, and has changed Lead White as the most well-liked white artist pigment. It’s also used within the manufacturing of plastics, cosmetics, paper, medicines, home paints, and artist paints. Titanium White could be very opaque and very robust in mixtures. It’s a slow-drying pigment, notably in oil paint. In oil paint, PW 6 additionally makes a delicate and spongy paint movie, so it’s best blended with Zinc White (PW 4) to steadiness out this tendency.

 

Zinc White

 

Pigment: Zinc White

Index No: PW4

Color Description: Cool white with a blue undertone

Opacity: Semi-Clear

Lightfastness: Wonderful

Tinting Energy: Low

Pigment Classification: Artificial Inorganic

Appropriate for: Watercolour, Gouache, Acrylic, Tempera, Encaustic. Its compatability with oil binders is disputed.

Approx. Oil Absorption Charge 20 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Common

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx 50 µm

Historical past / How It Seems to be: Numerous types of zinc oxide have been used as a white pigment since antiquity, but it surely was within the nineteenth century that artificial Zinc White (zinc oxide) was produced to be used as an artist pigment. Zinc White’s mild tinting energy and transparency make it helpful in mixtures, because it doesn’t add opacity or chalkiness like Titanium White does. Considerations about Zinc White’s brittleness in oil paint have led to many producers discontinuing the pigment of their oil ranges. There aren’t any considerations in regards to the permanence of PW4 in some other media, and it is a superb mixing white in acrylic and watercolour. For a extra opaque white, attempt Titanium White (PW 6).

Learn: The Zinc White Debate

 

Titanium White Anatase

 

Pigment: Titanium White Anatase

Index No: PW6

Color Description: Vibrant white

Opacity: Opaque

Lightfastness: Wonderful

Tinting Energy: Excessive

Pigment Classification: Artificial Inorganic

Appropriate for: Oil, Watercolour, Gouache, Acrylic, Tempera, Encaustic.

Approx. Oil Absorption Charge 30 g linseed oil: 100 g pigment

Granulates in Watercolour: No

Drying Charge (in oil): Gradual

Well being and Security: Not thought-about hazardous with correct use. Don’t breathe mud and don’t use whereas consuming or ingesting. Keep away from contact with eyes and maintain out of attain of youngsters and pets.

Particle Dimension: Approx. 0.50 µm

Historical past / How It Seems to be: Titanium White is an artificial mineral pigment, made synthetically as a result of naturally occurring titanium dioxide will not be appropriate to be used as an artist pigment. The Anatase type was first launched to the artist pigment market in 1916. Over the twentieth century, Titanium White got here to largely change lead white because the dominant white pigment in aritst palettes. Its functions usually are not restricted to portray: greater than 5 million tons are used yearly within the manufacturing of plastics, cosmetics, paper, medicines and home paints. Most Titanium White pigments right now use the Rutile, moderately than Anatase, type because it has larger opacity and permanence. Titanium White makes a delicate and spongy paint movie, so it’s best blended with Zinc White (PW 4) to steadiness out this tendency.

 

Store Jackson’s Artist Pigments on jacksonsart.com

 

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Additional Studying

Recreating Rembrandt’s Color Palette With Trendy Pigments

Making Your Personal Oil Paint With Jackson’s Pigments

Two Painters Attempt Jackson’s Artist Pigments for Watercolour and Oil